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Eugene Lanceray
Yevgeny Yevgenyevich Lansere ((ロシア語:Евге́ний Евге́ньевич Лансере́)), also spelled Eugene Lanceray (23 August 1875 – 13 September 1946), was a Russian graphic artist, painter, sculptor, mosaicist, and illustrator, associated stylistically with ''Mir iskusstva'' (the World of Art).〔Scholl, Tim. "From Petipa to Balanchine: Classical Revival and the Modernization of Ballet", page 144. London: Routledge, 1994.〕
== Early life and education ==
Lanceray was born in Pavlovsk, Russia, a suburb of Saint Petersburg.〔 He came from a prominent Russian artistic family.〔Chilvers, Ian. "A Dictionary of Twentieth-Century Art", page 560. Oxford: Oxford University Press, 1999.〕 His father, (Eugeny Alexandrovich Lanceray ), was a sculptor.〔 His grandfather Nicholas Benois, and his uncle Leon Benois, were celebrated architects. Another uncle, Alexandre Benois, was a respected artist, art critic, historian and preservationist.〔 His great-grandfather was the Venetian-born Russian composer Catterino Cavos. Lanceray's siblings were also heirs to this artistic tradition. His sister, Zinaida Serebriakova, was a painter, while his brother Nikolai was an architect.〔 His cousin, Nadia Benois, was the mother of Peter Ustinov.
Lanceray took his first lessons at the Drawing School of the Imperial Society for the Encouragement of the Arts in St. Petersburg from 1892 to 1896.〔Bown, Matthew Cullerne. "Art Under Stalin", page 243. New York: Holmes & Meier, 1991.〕 under Jan Ciągliński and Ernst Friedrich von Liphart. He then traveled to Paris, where he continued his studies at the Académie Colarossi and Académie Julian between 1896 and 1899.〔
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